2013 Prism Break, NYEHAUS, New York, NY

2010 Mind Over Matter, Ringling College Faculty & Staff Exhibitions, Ringling College, Sarasota, FL

2006 Echo and Narcissus (Ain't it Just Like the Night), Cynthia Broan Gallery, New York, New York

2000 Fort*Night*Lair, Willoughby Sharp Gallery, New York, [Sculpture, Photography, and Drawing]

1999 Home of the Jaguar, Galerie Löhrl, Mönchengladbach, Germany [Sculpture, Photography, and Drawing]

1997 Broadway Sound Gallery, New York, New York [Sculpture, Sound, and Photography]

1995 Galerie Andreas Weiss, Berlin, Germany [Sculpture, Sound, and Photography]

1994 Galerie Wasserman, Müchen, Germany [Sculpture and Photography]

1993 Filaments and Fissures, Galerie Löhrl, Mönchengladbach, Germany [Sculpture, Photography, and Drawing]

1993 Field Surgery, Vera Engelhorn Gallery, New York, New York [Sculpture and Sound: collaboration with Kenneth Capps]

1992 Liquid Lens, Vera Engelhorn Gallery, New York, New York [Sculpture and Photography]

1991 Pluto's Gate, Vera Engelhorn Gallery, New York, New York [Photoworks]

1990 Glyphs, Cuts, and Troll, Lorence Monk Gallery, New York, New York [Sculpture, Sound, and Photoworks]

1990 Glyphs and Cuts, Payton-Rule Gallery, Denver, Colorado

1987 Alan Scarritt: Recent Works, Foster Goldstrom Gallery, New York, New York [Mixed Media Works]

1985 Exit Art, New York, New York [Sculpture, Sound, and Photography]

1983 Minnesota Twins, Minneapolis College of Art and Design, Minneapolis, Minnesota [Installation: Sound Video, Photography, and Drawing]

1983 LAH DAQ, P.S. 1, Long Island City, New York, New York [Sound and Sculpture]

1983 Drawn and Quartered, 80 Langton Street, San Francisco, California [Sound Installation]

1981 Seven from Three (for Go), Museum of Modern Art, New York, New York [Video and Sound Installation]

1981 Big Top, Ringling School of Art and Design, Sarasota, Florida [Sound and Double Camera Obscura Installation]

1979 Co-Incidence, San Francisco Art Institute, San Francisco, California [Sculpture, Photography, and Drawing]

1979 Circuit, And/Or Gallery, Seattle, Washington [Installation in Sound and Plaster]

1978 Made in Time, The Clocktower, New York, New York [Installation in Sound and Plaster]

1978 0-9, Target Video, Oakland, California [Installation in Sound and Plaster]

1977 An Installation in Four Parts, The San Francisco Art Institute Annual, San Francisco, California [Installation: Sound, Double Camera Obscura, Negative Projections]

1975 Work at Site, Site, Cite, Sight, Inc., San Francisco, California [Plaster, Photography, and Drawing]

1975 Corpus Callosum, Baxter Art Gallery, California Institute of Technology, Pasadena, California [Installation: Sound, Negative Projections]

1973 Richmond Art Center, Richmond, California [Photography, Drawings, and Paintings]

1973 Warren Benedek Gallery, New York, New York [Sound, Photography, Drawings, and Paintings]

2019 Summer 2019, Ronald Feldman Fine Arts Gallery, New York, New York

2017 Art on the Front Lines, Ronald Feldman Fine Arts Gallery

2012 Under the Big Black Sun, Museum of Contemporary Art, Los Angeles, California

2005 Solid Concept V, Gallery Paule Anglim, San Francisco, California

2001 The Entropic Garden and Mind Fields, Wake Forest University’s Scales Fine Arts Center Gallery, Winston-Salem, North Carolina

2001 Sculptures, Stark Gallery, New York

2000 Reenactment/Rapprochement, Chester Springs Studio, Chester Springs, Pennsylvania

1999 Vogelfrei III, Kunstentdeckungen in Privatgärdten, Darmstadt, Germany

1999 Heroines + Heroes, Cynthia Broan Gallery, New York, New York

1998 Surfing the Surface, DFN Gallery, New York, New York

1998 Inaugural Exhibition, Sequeiros-Koll Gallery, Los Angeles, California

1998 Beyond Belief, Art Exchange Gallery, New York, New York

1998 At, Satellite Gallery, New York, New York

1998 Acts of Faith, Abraham Lubowski Gallery, New York, New York

1996 Inaugural Exhibition, Broadway Sound Gallery, New York, New York

1995 Schweben, Antigrav in der Plastik, Skulpturenmuseum Glaskasten Marl, Germany (cat.)

1994 Vera Engelhorn Gallery, New York, New York

1993 Mercersburg Centennial, Mercersburg, Pennsylvania

1992 Sechs Räume, Galerie Löhrl, Mönchengladbach, Germany

1991 Vera Engelhorn Gallery, New York, New York

1991 Goldstrom Family Collection, Oklahoma Art Center, Oklahoma City, Oklahoma

1991 Goldstrom Family Collection, Mississippi Museum of Art, Jackson, Mississippi

1991 Goldstrom Family Collection, Memphis Brooks Museum of Art, Memphis, Tennessee

1991 Goldstrom Family Collection, Lakeview Museum of Arts & Sciences, Peoria, Illinois

1991 Goldstrom Family Collection, Hunter Museum of Art, Chattanooga, Tennessee

1991 Drawings, Lorence Monk Gallery, New York, New York

1991 At One/At War with Nature, Pratt Institute, Manhattan Gallery, New York, New York

1990 Lorence Monk Gallery, New York, New York

1990 Internationale Biennale der Papierkunst, Leopold-Hoesch Museum, Düren, Germany

1990 Goldstrom Family Collection, Sunrise Museum, Charleston, West Virginia

1990 Goldstrom Family Collection, Mint Museum, Charlotte, North Carolina

1990 Goldstrom Family Collection, Birmingham Museum of Art, Birmingham, Alabama

1989 Lorence Monk Gallery, New York, New York

1989 Goldstrom Family Collection, Wichita Art Museum, Wichita, Kansas

1989 Goldstrom Family Collection, Scottsdale Center for the Arts, Scottsdale, Arizona

1989 Goldstrom Family Collection, Center of the Arts, Vero Beach, Florida

1989 Goldstrom Family Collection, Arkansas Arts Center, Little Rock, Arkansas

1988 Six from San Francisco, Damon Brandt Gallery, New York, New York

1987 The Nature of Things to Come, Payton-Rule Gallery, Denver, Colorado

1986 Drawings by Sculptors, Parsons School of Design, New York, New York

1985 Drawings, Lorence Monk Gallery, New York, New York

1985 C.W. Post Gallery, Long Island University, Greenvale, New York, New York

1985 Art of Peace Biennale, Hamburg, Germany

1984 The Sound Art Show, The Sculpture Center, New York, New York (cat.)

1984 New Music America Festival, Hartford, Connecticut (cat.)

1984 Artist's Call Show, New York, New York

1983 Terminal New York, Brooklyn, New York

1983 Audio Eyes, Visual Artspace, Sydney, Australia (cat.)

1983 Artists' Radio Project, Fashion Moda and WBAI, New York, New York

1982 Senorita Prospettiche, International Sound Invitational, Rimini, Italy (cat.)

1982 Artist's Photographs, Crown Point Press Gallery, Oakland, California (cat.)

1980 Space, Time, Sound, the Seventies, San Francisco Museum of Modern Art, San Francisco, California (cat.)

1980 Six from New York, Bennington College, Bennington, Vermont (cat.)

1979 Three from San Francisco, Cochise Fine Arts, Bisbee, Arizona (cat.)

1978 The Private Life of Rose Selavy, De Anza College, Cupertino, California

1977 Send/Receive Satellite Network (first two-way live interactive video transmission via NASA experimental communications satellite between artists in New York and San Francisco)

1977 Points of View: 101 Ways to Photograph a Tombstone or Make a Rubbing, The Center Gallery, UC Berkeley, University of California Extension Center, San Francisco, CA

1974 South of the Slot, 63 Bluxome Street, San Francisco, California (cat.) University Art Museum, Berkeley, California

1971 Through the Photograph to Painting, San Francisco Museum of Modern Art, San Francisco, California (cat.)

2012 Sideshow, MIC CHECK: The: Human Mic, Brooklyn, NY

1999 Vogelfri III, Kunstentdeckungen in Privatgärten, Darmstadt, Germany

1999 Spiral, New York, New York, Live World Wide Webcast

1999 Smack-Mellon Studios, New York, New York

1998 Fringe Festival, New York, New York

1994 Walker Art Center, Minneapolis, Minnesota (with Ronald Dahl)

1990 The Knitting Factory, New York, New York

1990 Payton-Rule Gallery, Denver, Colorado

1987 Troll, Attitude Art, New York, New York

1986 Two by Two, 120 Mercer St., New York, New York

1984 White Bread, Gold Medal Flour Building, Minneapolis, Minnesota (with Terry Fox)

1980 Drawn and Quartered, Bennington College, Bennington, Vermont

1975 Flow (for Roger Sperry), University Art Museum, Berkeley, California

1974 Light as a Feather, Bluxome St., San Francisco, California

Museum of Modern Art, New York

New York University Library

Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley

Denver Art Museum

Pollock-Krasner Foundation Collection

Collection of Sarah-Ann and Werner H. Kramarsky

The Foster Goldstrom Collection

Collection of Michael Straus

Collection of Henry Buhl

The State of Washington, Seattle, Washington

New York State Council for the Arts Grant, 1989

Pollock-Krasner Foundation Grant, 1986

National Endowment for the Arts, Fellowship Award, 1980

National Endowment for the Arts, Fellowship Award, 1979

California Arts Council Grant, 1975

Richmond Art Center, Curatorial Fellowship Award, 1971

Distinguished Alum, California College of the Arts

2013

Torres, Jesús Manuel Rojas, "Alan Scarritt's Prism Break (Snowed In) at Nyehaus, New York." September, 2013. 🔗

2012

Wetzler, Rachel. "Send/Receive: Liza Bear and Willoughby Sharp After Avalanche." Rhizome Blog. November, 2012. 🔗

Brown Alumni Magazine, January/February, 2012 🔗

2011

Stiles, Kristine. “Negative Affirmative: San Francisco Bay Area Art, 1974-1981.” In Under the Big Black Sun: California Art 1974-1981, edited by Paul Schimmel, 27–43. Los Angeles Museum of Contemporary Art, 2011.

2010

Kipling, Kay. "Highlights." Sarasota Magazine. October, 2010. 🔗

2006

Baker, R.C. “Bipolar.” The Village Voice. July, 2006 🔗

Genocchio, Benjamin. "ART REVIEW; Making (Brain) Waves." New York Times. May 7, 2006. 🔗

Turvey, Lisa. “Alan Scarritt: Cynthia Broan Gallery.” Artforum. October 2006. 🔗

2000

Goddard, Donald. “Alan Scarritt: Fort. Night. Lair.” New York Art World. 2000. 🔗

1997

Griffiths, Paul. “52 Wine Glasses but No One’s Coming for Dinner.” The New York Times. August, 1997.

1993

“Alan Scarritt in der Galerie Löhrl: Moderne Hieroglyphen als Symbole der Zeit.” Rheinische Post. October, 1993.

“Was WO Wann? Die Woche bis 5. November” Rheinische Post. October, 1993.

1991

Borum, Jenifer P. “Alan Scarritt: Lorence-Monk Gallery.” Artforum. March 1991. 🔗

Bacon, George. "What's on in New York: The British are here: As well as Hoffmann, Kruger, Sultan, Koons, Klein and Kandinsky", January, 1991 🔗

Cyphers, Peggy, “Reviews”, Arts Magazine. May, 1991.

1990

Dery, Mark. “Music Doing Your Own Thing by Making Your Own Thing.” August, 1990. 🔗

Dickinson, Carol. “Wazee galleries offer an eyeful.” Rocky Mountain News. September 1990.

1988

Dahl, Ronald. “He’s InCantation: Alan Scarritt: Trolling at Attitude Art.” February, 1988.

Heath, Jennifer. “Nature, science, technology show refreshes briefly.” Rocky Mountain News. December, 1988.

1985

Albright, Thomas. "Art in the San Francisco Bay Area, 1945-1980: An Illustrated History." University of California Press. June, 1985.

Dowell, Coleman. “A Handful of Anomalies.” Bomb Magazine. October, 1985. 🔗

Atkins, Robert. “Alan Scarritt.” Arts Magazine, October, 1985

Braff, Phyllis. “Unaffiliated, Intense, and Stimulating.” The New York Times. July 28, 1985. 🔗

1984

Collischan van Wagner, Judy K. “Sound Art”, Arts Magazine, September, 1984. 🔗

1982

Sonnier, Keith. "Brain/Right Brain: Alan Scarritt." Bomb Magazine. April, 1982. 🔗

1981

Foley, Suzanne. "Space Time Sound: Conceptual Art in the San Francisco Bay Area: The 1970s." San Francisco Museum of Modern Art, Chronology by Constance Lewallen. January, 1981.

1977

Ratcliff, Carter. “Report from San Francisco,” Art in America. May/June 1977.